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  • Modular light bar available for hire for your events. Rent a fully modular bar for your event or even your stand.
  • Easy to assemble and transportPlexiglas or white shelf
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    Easily move on to the DJ booth stage with the DJM-750MK2, a 4-channel mixer that inherits key design elements and features from the DJM-900NXS2. Combine it with our professional multi-format CDJ or XDJ players and you've got club-quality equipment.The smooth curves of the equalizers and channel faders make mixing on the DJM-750MK2 a breeze. The Magvel crossfader, inherited from the DJM-900NXS2, offers a precise response and a feeling of assurance even in the most complex scratching techniques.

    PROFESSIONAL PRESENTATION

    Mixing on the DJM-750MK2 feels totally instinctive thanks to its layout - with 4 channels and a display that borrows its features from the DJM-900NXS2 professional mixer, allowing you to practice under club conditions.

    PRO FX WITH DETAILED CONTROL

    Add texture and character to your mixes with professional effects inherited from the DJM-900NXS2. 2 effects consoles combine Sound Color FX and Beat FX - including FX Frequency - allowing you to be as creative as you like with the sound while always remaining in control.

    SEND/RETURN INDEPENDENT

    Choose from Aux or Insert send/return to connect different types of effects consoles to iOS devices, such as effects apps, synthesizers and samplers, and combine them with the mixer's internal effects. A simple USB connection ensures high-quality sound.

    PROFESSIONAL SOUND QUALITY

    Whether you play from analog or digital sources, you'll get high-quality sound thanks to the 64-bit digital signal processor, dithering technology, 32-bit A/D converter and 32-bit D/A converter.

    FLUID FADERS & EQUALIZERS

    The DJM-750MK2's equalizers and channel faders offer curves equivalent to those of the DJM-900NXS2, which also inspired the Magvel crossfader. It's fluid, precise and durable, withstanding over 10 million movements - and its Cut Lag has been improved for more responsive and assured performance.
     
  • MONTREZ Revolutionize your lighting with the advanced pointer. Choose your preferred mode to highlight or enlarge certain pixel-free areas.LAUNCH Use the on-screen cursor to play and pause videos, open links and enjoy a whole range of content interactions. There's no need to interrupt or bring along a mouse or laptop.BE CONFIDENT Our remote control connects instantly via USB or Bluetooth® receiver. It is compatible with most platforms and all popular presentation applications. What's more, it's fully rechargeable and has a range of 30 m.MINUTEZ Manage your time with precision from the first to the very last slide. Set timed steps in the app and receive a vibration directly in your hand. 
  • Increase your stand's level of finish with an MGS stand floor.The floors are made of 1 x 1m slabs. They are available in several colors (white and Wengé or Zebrano wood imitation).This floor can also be finished with carpet.All the options needed to make your project a success, such as PMR access, aluminum skirting, glass railings, bollards, etc., are available on request. 
  • The podiums we rent for your events are sturdy and modular.Our PRO-quality podiums are available in various sizes (see table).
  • Discover our fully modular LED display.We adapt the size and design of the screen to suit the needs of your event.
  • Opt for our 150L glass fridge on hire, the perfect choice for your refrigeration needs at events and stands. Its elegant design blends in perfectly with a bar, while its small size makes it discreet. Contact us now for rental.
  • A decorative solution for large spaces!

    MGS has developed a new system of interlocking frames to dress up large spaces. These interlocking frames are available in a variety of themes. For example, by adding a plant suspension or dressing the frames in light to give them a technological look. These hangers can be configured for heights ranging from 2m to 5.50m.
  • Professional components, reliability and performance.

    The 46-inch MGS touchscreen terminal uses professional components selected for their excellent performance, even under 24/7 use. The integrated computer runs under the Windows 10 environment and is capable of meeting all your needs.

    Customize your 46-inch touchscreen terminal with your own colors

    MGS offers a complete range of services for the installation of your interactive device, and can customize the 46" touch screen kiosk to your colors. On 2 sides and over the entire height, you can use your graphic charter to dress up the bollard in the colors of a particular event (trade show). Our SO-COM graphics studio is at your disposal to create these personalization elements.
  • Barstools with Plexiglas surface and LED backlighting.Spotlight color can be changed remotely. These are battery-powered and have an autonomy of +- 6 hours.
  • American DJ's Revo III is an intelligent DMX LED unit with four or ten channels. This unit is equipped with different operating modes: stand-alone, music mode or master/slave configuration. The Revo III features several built-in programs, and can operate in stand-alone mode or in master/slave configuration when daisy-chained.

  • This blacklight projector is the ideal accessory for your parties and events! Its black light will make white clothes and fluorescent colors stand out. Guaranteed success!
  • The Martin 3000 DMX is a multiple strobe that is fully DMX controllable. It can even be used as a blinder, as the strobe flashes at high speed so that it registers in the human eye as "full on". The strobe lamp delivers 3000W and the color temperature is no less than 5600K: the brightest possible light according to the Mired scale.The exterior of the stroboscope is made entirely of metal, and thanks to the built-in fan, it always has the best operating temperature. Built-in effects let you put on a show without too much effort. With DMX, you can precisely control the brightness and speed of the flashes. A strobe that makes your light shows something special
  • Roxie is Robert Juliat's first LED chaser. Thanks to its small size and 300W power consumption, this spotlight fits easily into the smallest of spaces, guaranteeing substantial savings.Roxie offers a light output comparable to that of a chase equipped with a 575W discharge lamp. No heat emission, no lamp changing, low maintenance.
  • The only 1kW spotlight with a 200mm lens, the 310H has no equivalent on the market in terms of brightness and beam quality. Its impressive power and wide aperture angle make it a high-performance projector. It provides wide coverage with a highly homogeneous beam. Easy to maintain, it is also renowned for its extreme reliability.
  • Stage Blinder 4 DMX is the active version of the already popular Stage Blinder 4. It features a two-channel dimmer for controlling the Blinder stage and adjusting intensity via DMX.
  • Using 650 W DW MFL industrial lamps wired in series, the Blinder 2's two cells produce the warm tones of halogen from a compact, robust chassis. The blinder features an integrated single-channel DMX dimmer, allowing traditional blinds to be added to lighting fixtures without bulky dimmer brackets.
  • Opaline plexiglass lectern.Possibility of installing microphones.
  • Elation's Design Wash LED Pro is a high-output LED color changer featuring 108 Rebel 3W LEDs, 52 red, 22 green, 22 blue and 12 white with brilliant light output and infinite color possibilities. A standard beam angle of 39.5° is produced with the standard 25° lens, and a beam angle of 25° without the light anti-icing filter. The luminaire's design is optimized to provide up to 50,000 hours of LED life, and is equipped with a multi-voltage 98 (240V) internal power supply.
  • Neumann's KM 185 MT matte black microphone is a hypercardioid pressure gradient microphone designed for live sound reinforcement and diffusion, as well as for recording applications.
  • DPA's d-fine headset microphones are extremely useful for public speakers, singers, actors, webcasters and musicians. The d-fine range of directional and omnidirectional headphones can be adapted to every conceivable situation, with single and double ear loops, cardioid and omnidirectional microphone strips in different lengths, and four different colors.
  • Whether for use on a podium or for fast mobile use in video productions, the transmitter quickly and easily converts any conventional wired (XLR) microphone into a wireless version. Phantom power for condenser microphones is also supplied.
  • The MZH 3042 is a metal gooseneck with an integrated preamp, 40 cm in length and a matte black finish.
  • The MD 421 U4 is one of the world's benchmark microphones. Its sonic qualities mean that it can be used in a wide variety of recording situations and in all areas of sound transmission technology.
  • The e-606 is a dynamic instrument microphone with a supercardioid pick-up pattern, specially developed for front miking of guitar amplifiers, very close to the loudspeaker.
  • The Sennheiser E604 is ideal for drums, brass and woodwind instruments. The dynamic microphone is a cardioid microphone with a low distortion signal, similar to that of a high-end microphone. The hum compensation coil offers extended high frequency and fast transient response, enabling the microphone to handle high sound levels, making it ideal for rejecting feedback in noisy environments.
  • The Beta 98HC condenser microphone is the ideal solution for wind and percussion instruments. It features an integrated gooseneck with clamp for reliable, precise positioning.
  • Shure's Beta 91A microphone lets you capture the real punch of a kick drum, without taking up too much space on stage. In fact, the Beta 91A excels at picking up all kinds of low-frequency instruments; its response is adapted to low frequencies. The Beta 91A's built-in preamp makes it a very practical condenser, and its ability to handle high SPLs means it can be used without worry in any environment (even with the noisiest drummers). A 2-position contour switch lets you choose between a flat response or a punchy mid-range response. You'll love what the Beta 91 does for your live sound!
  • The Beta 58A is a first-rate vocal microphone for lead and backing vocals, both on stage and in the studio. Also available in the Beta Wireless version. Both were designed for singers and have clear midrange and attenuation of unwanted low frequencies. The Beta 58A has greater sensitivity and a more precise frequency response, enabling it to produce a clearer, more detailed sound.
  • The PG81 is a sensitive, flat condenser microphone, ideal for acoustic instruments. The PG81 cardioid condenser instrument microphone is a professional-quality, flat-response microphone designed for use in sensitive acoustic instrument applications. With rugged durability and excellent sound, this versatile microphone comes with an on/off switch, swivel adapter, carrying pouch and choice of XLR cable, or without.Phantom power or AA battery required.
      
  • The number-one choice of musicians and sound engineers on stages the world over, the SM58 has earned its reputation for its unmistakable silhouette, sturdiness and distinctive sound. Recommended for lead and backing vocals, this pickup is more than a world reference, it's a legend.
      
  • A legendary pickup for amplified drums and guitars!The Shure SM57 LCE is a cardioid dynamic microphone designed for amplified instrument pickup and studio recording. Its precisely contoured frequency response, with a slight presence boost in the high frequencies, guarantees clear, intelligible sound: it's an ideal all-round pickup for instruments or sung vocals. In the studio, it is perfect for amplified guitars, woodwind instruments and drums. Its cardioid directional characteristic ensures good isolation from the main sound source and reduces background noise to a minimum. Its proven shock-absorbing suspension system minimizes footfall and handling noise. Its robust construction makes it an extremely reliable microphone, even under the sometimes difficult conditions of stage work.  
  • Kiva II is the new iteration of the ultra-compact Kiva source line, offering 6 dB more SPL, a 16-ohm impedance to rationalize amplification resources, and a new, reinforced cabinet. Despite its ultra-compact size, the Kiva II is based on Wavefront Sculpture Technology™ (WST), offering long range and even coverage of sound pressure across the entire depth of the audience area. The adoption of coplanar symmetry for the transducer arrangement and a K-shaped grid enable Kiva II to generate 100° symmetrical horizontal coverage, with no secondary lobes, and over the entire useful bandwidth. Weighing just 14 kg (31 lb.), its elegant lines and flush-mounted hanging system make it a natural fit for concert halls or event productions, where discretion is essential. This makes Kiva II ideal for multi-channel L-ISA™ installation projects.
  • A powerful receiver, equipped with an Ethernet port for connection to Sennheiser's Wireless System Manager software for monitoring and configuration. The receiver's wireless synchronization function makes it easy to synchronize the receiver with any G3 transmitter. The EM 300 G3 receiver features a large graphic display on which receiver and transmitter information can be easily read, even in dark spaces.
  • The Sennheiser EW 500 wireless system features a professional microphone that is ideal for vocal applications and is designed for any stage or style of music. The synchronization function guarantees simplicity of operation and quick, easy installation using just one button. Here, a dynamic cardioid capsule ensures natural, present reproduction of the sung voice, even for bands delivering a high level of stage smear.
  • The MEI 100 G2 has a 70-channel frequency band. It's a freely licensed channel, so your wireless system is ready to go without any restrictions. The 863-865 MHz frequency bands deliver dynamic sound quality with the clarity musicians demand. This transmitter is designed to work with the MEI 100 G2 breech box, which picks up the strong signal.
  • The RIO 16 & 3224D is a box with 32 mic/line inputs, 16 analog outputs and 4 A ES/EBU outputs.
  • Inheriting the performance and functionality of the CL Series, the QL1 is an all-in-one solution. It offers optimum mixing, processing and assignment possibilities for small to medium-sized sound systems, conferences and speeches, fixed installations, and more.The QL1 has 32 mono inputs, 8 stereo inputs, 16 faders, 2 master faders, 16 mix busses, 8 matrixes (inputs to matrixes possible), 16 mic/line inputs + 8 XLR outputs.
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