- Neumann's KM 185 MT matte black microphone is a hypercardioid pressure gradient microphone designed for live sound reinforcement and diffusion, as well as for recording applications.
- DPA's d-fine headset microphones are extremely useful for public speakers, singers, actors, webcasters and musicians. The d-fine range of directional and omnidirectional headphones can be adapted to every conceivable situation, with single and double ear loops, cardioid and omnidirectional microphone strips in different lengths, and four different colors.
- Whether for use on a podium or for fast mobile use in video productions, the transmitter quickly and easily converts any conventional wired (XLR) microphone into a wireless version. Phantom power for condenser microphones is also supplied.
- The MZH 3042 is a metal gooseneck with an integrated preamp, 40 cm in length and a matte black finish.
- The MD 421 U4 is one of the world's benchmark microphones. Its sonic qualities mean that it can be used in a wide variety of recording situations and in all areas of sound transmission technology.
- The e-606 is a dynamic instrument microphone with a supercardioid pick-up pattern, specially developed for front miking of guitar amplifiers, very close to the loudspeaker.
- The Sennheiser E604 is ideal for drums, brass and woodwind instruments. The dynamic microphone is a cardioid microphone with a low distortion signal, similar to that of a high-end microphone. The hum compensation coil offers extended high frequency and fast transient response, enabling the microphone to handle high sound levels, making it ideal for rejecting feedback in noisy environments.
- The Beta 98HC condenser microphone is the ideal solution for wind and percussion instruments. It features an integrated gooseneck with clamp for reliable, precise positioning.
- Shure's Beta 91A microphone lets you capture the real punch of a kick drum, without taking up too much space on stage. In fact, the Beta 91A excels at picking up all kinds of low-frequency instruments; its response is adapted to low frequencies. The Beta 91A's built-in preamp makes it a very practical condenser, and its ability to handle high SPLs means it can be used without worry in any environment (even with the noisiest drummers). A 2-position contour switch lets you choose between a flat response or a punchy mid-range response. You'll love what the Beta 91 does for your live sound!
- The Beta 58A is a first-rate vocal microphone for lead and backing vocals, both on stage and in the studio. Also available in the Beta Wireless version. Both were designed for singers and have clear midrange and attenuation of unwanted low frequencies. The Beta 58A has greater sensitivity and a more precise frequency response, enabling it to produce a clearer, more detailed sound.
- The PG81 is a sensitive, flat condenser microphone, ideal for acoustic instruments. The PG81 cardioid condenser instrument microphone is a professional-quality, flat-response microphone designed for use in sensitive acoustic instrument applications. With rugged durability and excellent sound, this versatile microphone comes with an on/off switch, swivel adapter, carrying pouch and choice of XLR cable, or without.Phantom power or AA battery required.
- The number-one choice of musicians and sound engineers on stages the world over, the SM58 has earned its reputation for its unmistakable silhouette, sturdiness and distinctive sound. Recommended for lead and backing vocals, this pickup is more than a world reference, it's a legend.
- A legendary pickup for amplified drums and guitars!The Shure SM57 LCE is a cardioid dynamic microphone designed for amplified instrument pickup and studio recording. Its precisely contoured frequency response, with a slight presence boost in the high frequencies, guarantees clear, intelligible sound: it's an ideal all-round pickup for instruments or sung vocals. In the studio, it is perfect for amplified guitars, woodwind instruments and drums. Its cardioid directional characteristic ensures good isolation from the main sound source and reduces background noise to a minimum. Its proven shock-absorbing suspension system minimizes footfall and handling noise. Its robust construction makes it an extremely reliable microphone, even under the sometimes difficult conditions of stage work.
- Kiva II is the new iteration of the ultra-compact Kiva source line, offering 6 dB more SPL, a 16-ohm impedance to rationalize amplification resources, and a new, reinforced cabinet. Despite its ultra-compact size, the Kiva II is based on Wavefront Sculpture Technology™ (WST), offering long range and even coverage of sound pressure across the entire depth of the audience area. The adoption of coplanar symmetry for the transducer arrangement and a K-shaped grid enable Kiva II to generate 100° symmetrical horizontal coverage, with no secondary lobes, and over the entire useful bandwidth. Weighing just 14 kg (31 lb.), its elegant lines and flush-mounted hanging system make it a natural fit for concert halls or event productions, where discretion is essential. This makes Kiva II ideal for multi-channel L-ISA™ installation projects.
- A powerful receiver, equipped with an Ethernet port for connection to Sennheiser's Wireless System Manager software for monitoring and configuration. The receiver's wireless synchronization function makes it easy to synchronize the receiver with any G3 transmitter. The EM 300 G3 receiver features a large graphic display on which receiver and transmitter information can be easily read, even in dark spaces.
- The Sennheiser EW 500 wireless system features a professional microphone that is ideal for vocal applications and is designed for any stage or style of music. The synchronization function guarantees simplicity of operation and quick, easy installation using just one button. Here, a dynamic cardioid capsule ensures natural, present reproduction of the sung voice, even for bands delivering a high level of stage smear.
- The MEI 100 G2 has a 70-channel frequency band. It's a freely licensed channel, so your wireless system is ready to go without any restrictions. The 863-865 MHz frequency bands deliver dynamic sound quality with the clarity musicians demand. This transmitter is designed to work with the MEI 100 G2 breech box, which picks up the strong signal.
- The RIO 16 & 3224D is a box with 32 mic/line inputs, 16 analog outputs and 4 A ES/EBU outputs.
- Inheriting the performance and functionality of the CL Series, the QL1 is an all-in-one solution. It offers optimum mixing, processing and assignment possibilities for small to medium-sized sound systems, conferences and speeches, fixed installations, and more.The QL1 has 32 mono inputs, 8 stereo inputs, 16 faders, 2 master faders, 16 mix busses, 8 matrixes (inputs to matrixes possible), 16 mic/line inputs + 8 XLR outputs.
- Digital mixing console with 72 mono inputs, 8 stereo inputs, 16 left-section faders, 8 Centralogic faders, 8 right-section faders and 2 master faders and iPad support.
- The ProTalk TK-3301 is the most powerful small handheld in the Kenwood PMR446 range, thanks to its compact dimensions, robustness and lightweight chassis. Easy to carry and simple to use, with 20-hour autonomy. Reliable communication with outstanding performance in a compact, powerful handheld.The speaker's power output is not the only factor that makes this portable easy to use, even in noisy environments. It's Kenwood's experience as an audio specialist at every stage of manufacturing (component selection, construction, optimization, evaluation and analysis) that makes this quality performance possible. The results of this specific research make them "clear" and "dynamic" portables.The TK-3301 is supplied ready to use. Supplied with rechargeable battery (KNB-45L), charger and belt clip, no other accessories are required for basic use.
- The AR-133 is packed with features that make it suitable for all kinds of applications. For example, a switch allowing you to obtain a 20dB or 40dB signal. This is done without signal loss, and makes mixing much easier if you're using a high-ohmic instrument, for example. You can also use the DI box as an intermediate step, as there is an output link to the mixer. This allows you to send a guitar signal first through the AR-133, then to the guitar amp via the output link.
- Media Operator, the all-in-one solution for your MP3 Media needs from American DJ Supply. ADJ's multimedia operator provides MP3 playback with microphone input. With its bright LCD display, it's easy to use both in the permanent installation and for the mobile presenter.
- Top-of-the-range MARTIN MAGNUM PRO 2000 smoker with a capacity of around 700 m3, the queen of smokers.
- This Martin fog machine emits 2500 m³/min of smoke in a short space of time, to enhance lighting effects. The built-in fan distributes smoke evenly. This machine can be controlled via DMX (optional) and comes with a remote timer!
- Choose our white square high table for hire for your next event. This elegant piece will add a modern touch to your space, perfect for use as a dining table at your event.
- Based on the award-winning Firepod, FireStudio combines superior analog circuit design with advanced new platform technology to deliver enhanced performance for recording and music creation.The FireStudio is a professional 26x26 24-bit/96k recording system combining eight XMAX class A PreSonus microphone preamplifiers, up to sixteen channels of ADAT input/optical output, S/PDIF and MIDI input/output, plus the control console - a 36x36x18 zero-latency mixer/router.The net result of the XMAX preamp design is high headroom, low noise, wide dynamic range and frequency range, and above all musicality and transparency - smooth highs, deep lows and all the rest.
- Extremely quiet, this machine leaves a fine mist, with the longest suspension time on the market.
- The Behringer Xenyx1204USB is a high-end 12-input / 2-bus mixer with XENYX mic preamps and compressors, British equalizers, USB / audio interface and energyXT2.5 Compact BEHRINGER Edition music production software.The Behringer Xenyx 1204 USB is equipped with 4 state-of-the-art XENYX phantom-powered mic preamps, comparable to stand-alone studio preamps.The Behringer Xenyx 1204USB is also a USB/stereo audio interface for direct connection to your computer. Free audio recording, editing and podcasting software, plus 150 instrument/effect plug-ins and ultra-low-latency driver included.
- Round bar table with white cover available for rental.Rent this table for your events, weddings, stands, etc.
- The X2442USB is the largest mixer in Behringer's USB series. It features 10 XENYX microphone inputs, 4 stereo channels, 4 auxiliary sends and 4 auxiliary returns. On each mono channel, you'll find "one knob" compressors allowing you to play with the dynamic range of the microphones to obtain a crystal-clear audio signal. In addition, there are four subgroups for flexible mixing, hand inserts (for connecting graphic equalizers or compressors/limiters) and eight direct/sub outputs for analog recording applications.
- Choose our 4500-lumen Sanyo projectors for your events.They offer optimum projection on our canvases of all sizes, available for hire.
- Yamaha's 01v96 digital console offers high-quality 24-bit/96 kHz converters, and the 01V96 incorporates modified preamps to satisfy the most demanding musical applications, whether in the studio or on stage.In addition, as multi-track recording in stage configuration is becoming increasingly common, a USB2 link gives the 01V96 easy access to 16 inputs and 16 outputs of 96 kHz audio via a computer. Multitrack recording becomes child's play, as the console works with all ASIO and Core Audio compatible software. Delivered with the latest version of the Cubase AI sequencer, it offers a wealth of recording, editing and mixing possibilities. Of course, audio signals can also be routed via a Yamaha mini-YGDAI (MY) card or the built-in ADAT ports.
- Choose our 16,000-lumen Panasonic projectors for your events.They offer optimum projection on our canvases of all sizes, available for hire.
- The high-end Yamaha MGP16X series mixing console combines the latest DSP technology and high-quality analog circuitry in Yamaha's latest compact portable mixer.The Yamaha MGP16X draws on Yamaha's years of experience in building compact mixers, and boasts a set of advanced features designed to make the MGP16X as versatile as possible.The MGP16X features 8 of the studio-quality D-Pre Class A microphone preamps recognized in Steinberg MR series audio interfaces to help preserve the clarity of your recordings, whatever microphone you choose. The new 3-band X-Pressive equalizer has been designed to offer vintage Neve-style waveform and tonal control.The Yamaha MGP16X also features two hybrid stereo channels with ducker, auto-leveler and DSP stereo imaging. Two Yamaha REV-X and SPX FX digital effects have been included with the Yamaha MGP16X. The front panel also features an iPod / iPhone connector for flexible DSP control with the free Yamaha MGP Editor iOS app, and will also offer high-quality playback of music from your library.
- Choose our 8500-lumen Panasonic projectors for your events.They offer optimum projection on our canvases of all sizes, available for hire.
- Choose our top-of-the-range Epson lenses for your events.They offer optimum projection on our canvases of all sizes, available for hire.
- Choose our top-of-the-range Epson lenses for your events.They offer optimum projection on our canvases of all sizes, available for hire.
- Choose our panasonic 0.38 aperture lenses for your events.They offer optimum projection on our canvases of all sizes, available for hire.
- The MG124 CX offers sound quality and specific functions unequalled in the MG range, such as dynamics compressors on mono slices. With Neutrik™ connectivity, six preamps with 48V Phantom power supply, four stereo inputs, two auxiliary sends (including one effect) and an additional stereo group, you're ready to mix!
- This pack includes everything you need to create your ultimate DJ set! It includes a pair of CDJ-350 players and a DJM-350 mixer. The CDJ-350 is the successor to the famous CDJ 400, and is equipped with a USB port. It integrates seamlessly with Rekordbox DJ software, allowing you to manage and play back your music files and create playlists for your DJ set. What's more, it lets you analyze the BPM of your tracks and set your hot cues and loops. All this can easily be sent to the CDJ 350 via a simple USB storage device.
- Xone 62 is a classic renowned for its superb audio quality, phenomenal VCF filters and creative 4-band equalizer. The 6 dual stereo inputs, clear layout and ease of use have quickly established the Xone 62 as the mixer of choice for many of the world's leading DJs and club facilities. If you need reliability and a sound that will take your mixes to the next level, get the Xone 62.
- Designed by Numark in collaboration with Serato, the NS 7 represents the pinnacle of DJ performance control. NS7 combines an all-metal chassis with adjustable torque, motorized aluminum platters, vinyl and a professional audio interface to offer a complete performance solution that will satisfy even the most demanding turntable user.
- The Sony PXW-X160 camera is a versatile choice for event production.It features Full HD resolution and an Exmor CMOS sensor for exceptional image quality even in low light. Its advanced features include image stabilization, network connectivity and a variety of professional interfaces, meeting the demanding needs of video professionals.
- Choose our Off White canvases for your events.High-quality, they offer both projection and rear-projection capabilities.
- Since the 70s, the Technics SL-1200 series of turntables has been a benchmark for DJs. This series also includes the Technics SL-1210 direct-drive turntable. This model is exactly what you'd expect from a turntable. The quality of Technics turntables is well established. Since its launch, the 1200 series has been appreciated by many professional DJs.
- The DJM 800 mixer is impressive for its sound quality, impeccable effects and a host of new features. It has 4 digital channels and a double effects box.
- Syva is a collinear system for medium-range applications. It is designed for professional sound reinforcement and high-end residential applications requiring high fidelity and SPL with minimal impact.Syva features six 5" MF drivers providing a usable bandwidth to 87 Hz and three 1.75" HF diaphragm compression drivers, loaded by DOSC waveguides in a progressive J-shaped curvature. This transducer arrangement produces a 140° x 26° (+ 5 / -21°) H/V directivity pattern, optimized for ultra-wide horizontal coverage with extended projection capability.Its Syva Low speaker features two K2 12" drivers designed to provide low-frequency contouring and extended bandwidth down to 40 Hz. The Syva Sub features a 12" high-excursion driver equipped with a KS28 woofer motor to extend the system's bandwidth in the sub-frequency range down to 27 Hz.Syva can be wall- or pole-mounted, or can be flown or used on its own with its base plate. Alternatively, Syva can be quickly mounted on Syva Low or Syva Sub using the AutoConnect plug-and-play audio and physical link.
- Analog Way's OPS300 is a 100% digital Multi-Layer Mixer, Scaler and Switcher. He creates numerous live effects, such as keying and animated PIPs. The OPS300 includes the functions of a Multilayer Mixer and a 12 by 2 Scaled Matrix.Multi-layer mixer mode :The OPS300 uses a "Preview" output and a "Main" output to send images to the main screens. Thanks to its image and logo memory, Opus can display up to 6 layers: 3 live sources, 1 image memory and 2 logos. Live layers can be customized by users with various attributes: Borders, PIP Animation, Zoom, Fade, Cut, Wipe & Slide.Clean-switching Native Matrix mode :The OPS300 offers a scalable 12 by 2 matrix with clean switching. Switching from one of the 12 inputs to the first output, the second output, or both outputs, can be cut or fade.General features :The OPS300 offers 12 inputs, including 2 with digital DVI and 2 with SDI. SDI is compatible with SD-TV and HD-TV formats, as is DVI, which also offers the computer format. With full digital processing, the OPS300 delivers digital and analog output signals in DVI and VGA (RGBHV), simultaneously with a selection of formats up to 2K computing. Opus offers optimum image quality. It includes SD/HD auto-adaptive 3D motion compensation, de-interlacing and enhanced 3:2 and 2:2 correction functions, an internal frame rate and a follow mode. What's more, Opus can be easily updated via RS232 or IP to make the product even easier to use.Image memories and logos :They can be stored in the OPS300's large non-volatile memory: 8 fixed logos and 8 full-screen images. These elements can be recorded from video or computer sources using keying.The integrated audio switching card offers 12 inputs (10 analog and 2 SDI Embedded) and 2 outputs with adjustable levels and master volume. The auxiliary input can be superimposed on the 12 inputs. Auxiliary input, input #7 and outputs offer balanced and unbalanced connections.The video output card offers SD-TV and HD-TV formats via a range of signals from composite video to HD-SDI. This output can be used to record the show.The OPS300 is a versatile device offering a user-friendly interface with total control from the front panel, from its remote control software or from the new ORCHESTRA control console.The OPS300 is a high-end, easy-to-use switcher and mixer specially designed for high-resolution A/V presentations, prestigious installations and major live events.
- The CDJ-2000 NXS2 is a major evolution of Pioneer's acclaimed DJ player. The CDJ-2000 Nexus2 features a 7-inch color touchscreen and support for a wide range of file formats (FLAC / ALAC). The CDJ-2000NXS2 includes a built-in sound card for HID control of DJ mixing software.CDJ-2000 NXS2 Pioneer also features 8 CUE points, an interface for connecting an external MIDI controller, and Pro Dj Link functionality for sharing music with up to 4 players simultaneously.
- The LA4X is an amplified controller based on a 4-in/4-out architecture and a green-energy amplification module. exclusivity enabled by its maximized performance. With the LA4X, L-Acoustics® loudspeakers benefit from all the advantages of L-Acoustics® loudspeakers. amplified, while retaining the flexibility of separate amplification. There are 3 operating modes for L-Acoustics systems.À LA CARTE The LA4X's four inputs and four output channels can be allocated "à la carte" to any passive loudspeaker in a link. one-for-one. This approach is cost-effective for applications requiring a large number of independent sound sources: stage feedback, multi-channel systems and multi-signal distributed systems.e.ALL ACTIVE For high-end installation projects, the LA4X can drive active systems up to K2, providing power reserve. and performance. With one transducer section per output channel and independent DSP processing for each This approach provides maximum discretization with a one-for-one-for-one link: input-processing-enclosure.CONVENTIONAL For applications requiring a large number of loudspeakers and optimized amplification costs, the LA4X can operate like a conventional amplified controller. The LA4X then controls speakers wired in parallel on its 4 output channels, with the additional advantage of 4 inputs when using passive loudspeakers.
- Choose our Da-Lite canvases for your events.High-quality, they have a smooth, uniform and highly reflective surface that optimizes the quality of the projected image.
- The state-of-the-art QuantaPulse EVO switched-mode power supply for the new S Series amplifiers offers major advantages: it increases efficiency and reliability, generates less heat and reduces weight. While delivering high output power, S-Series amplifiers tip the scales at just 8 kg.S Series power amplifiers are available with 2 and 4 channels and output powers from 1.5 to 6 kW. Housed in a 30 cm-deep 2U rack-mount chassis, the S series uses surface-mount technology with high component density for maximum reliability.The QuantaPulse Resonant Soft Switching Resonant is designed to provide sufficient power when needed, monitoring the necessary voltage and current parameters for controlled performance at all times. Bidirectional data flow between power supply and power amplifier module. Two very important features of the QuantaPulse power supply are optimization against overvoltage and superior reliability.
- L-Acoustics subwoofers complement systems wherever extended bandwidth is required. All subwoofers feature long-excursion transducers, ultra-low-vibration walls and L-Vent laminar vents. The result is dramatically reduced flow noise, optimized dynamics and power handling, and outstanding performance. Thanks to their versatility, L-Acoustics subwoofers can be integrated into any rental application or fixed installation. Engineers and sound designers can choose between standard or cardioid configurations. The many possible subwoofer arrangements allow you to modulate their directivity (symmetrical/asymmetrical) to suit each project.
- The X12 is a jack of all trades, taking on any short-range sound duty imaginable. The X12 can be fitted or mounted for multi-channel, distributed or filled applications, but is powerful and robust enough to be used as a stage monitor. Its 90° x 60° ellipsoidal directivity provides optimum coverage for a multitude of situations, and its compact footprint allows it to be discreetly integrated into any architecture or landscape, preserving sightlines for the public. The X12's passive design ensures maximum efficiency, reducing the need for amplified controllers.At just 20 kg / 55 lb, the X12 is easy to install or mount in any situation. Integrated risers allow 35° or 55° angles on stage, and a wide range of rigging accessories offers endless installation possibilities. Whatever the sound work required, the X12 is a valuable and versatile tool in the sound engineer's toolbox.
- X8 is the ideal live monitor, with the ability to accurately translate the sound signature of a large sound system at FOH or in control rooms. The X8 boasts extensive SPL and LF resources in a compact format bearing the L-Acoustics sound signature. The wide conical, point-source directivity pattern confers excellent spatialization and no minimum listening distance, ensuring a perfect listening experience when monitoring sound.The X8 can also be rigged in a range of different configurations, including post-mounted or wall-mounted and ceiling-mounted or flown. Set-ups are quick and easy, with the full range of rigging accessories on offer. Whether it's an X8 monitor or an integral part of a larger sound system, the X8 will be appreciated for its power, wide bandwidth and pristine sound.
