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  • The Mac 250 Entour is a powerful servo-driven lyre with 2 gobo wheels, color wheel, dimmer, shutter, prism and focus. Its superior optics and modular construction make it the perfect machine for the installation or touring market.
  • The MZH 3042 is a metal gooseneck with an integrated preamp, 40 cm in length and a matte black finish.
  • Elation's Design Wash LED Pro is a high-output LED color changer featuring 108 Rebel 3W LEDs, 52 red, 22 green, 22 blue and 12 white with brilliant light output and infinite color possibilities. A standard beam angle of 39.5° is produced with the standard 25° lens, and a beam angle of 25° without the light anti-icing filter. The luminaire's design is optimized to provide up to 50,000 hours of LED life, and is equipped with a multi-voltage 98 (240V) internal power supply.
  • The MD 421 U4 is one of the world's benchmark microphones. Its sonic qualities mean that it can be used in a wide variety of recording situations and in all areas of sound transmission technology.
  • The e-606 is a dynamic instrument microphone with a supercardioid pick-up pattern, specially developed for front miking of guitar amplifiers, very close to the loudspeaker.
  • The Sennheiser E604 is ideal for drums, brass and woodwind instruments. The dynamic microphone is a cardioid microphone with a low distortion signal, similar to that of a high-end microphone. The hum compensation coil offers extended high frequency and fast transient response, enabling the microphone to handle high sound levels, making it ideal for rejecting feedback in noisy environments.
  • The PG81 is a sensitive, flat condenser microphone, ideal for acoustic instruments. The PG81 cardioid condenser instrument microphone is a professional-quality, flat-response microphone designed for use in sensitive acoustic instrument applications. With rugged durability and excellent sound, this versatile microphone comes with an on/off switch, swivel adapter, carrying pouch and choice of XLR cable, or without.Phantom power or AA battery required.
      
  • The Beta 98HC condenser microphone is the ideal solution for wind and percussion instruments. It features an integrated gooseneck with clamp for reliable, precise positioning.
  • Floor-standing lighting.Choice of colors.Ideal for illuminating architectural details.Battery-powered and cordless lighting.
  • Shure's Beta 91A microphone lets you capture the real punch of a kick drum, without taking up too much space on stage. In fact, the Beta 91A excels at picking up all kinds of low-frequency instruments; its response is adapted to low frequencies. The Beta 91A's built-in preamp makes it a very practical condenser, and its ability to handle high SPLs means it can be used without worry in any environment (even with the noisiest drummers). A 2-position contour switch lets you choose between a flat response or a punchy mid-range response. You'll love what the Beta 91 does for your live sound!
  • The number-one choice of musicians and sound engineers on stages the world over, the SM58 has earned its reputation for its unmistakable silhouette, sturdiness and distinctive sound. Recommended for lead and backing vocals, this pickup is more than a world reference, it's a legend.
      
  • The Beta 58A is a first-rate vocal microphone for lead and backing vocals, both on stage and in the studio. Also available in the Beta Wireless version. Both were designed for singers and have clear midrange and attenuation of unwanted low frequencies. The Beta 58A has greater sensitivity and a more precise frequency response, enabling it to produce a clearer, more detailed sound.
  • A legendary pickup for amplified drums and guitars!The Shure SM57 LCE is a cardioid dynamic microphone designed for amplified instrument pickup and studio recording. Its precisely contoured frequency response, with a slight presence boost in the high frequencies, guarantees clear, intelligible sound: it's an ideal all-round pickup for instruments or sung vocals. In the studio, it is perfect for amplified guitars, woodwind instruments and drums. Its cardioid directional characteristic ensures good isolation from the main sound source and reduces background noise to a minimum. Its proven shock-absorbing suspension system minimizes footfall and handling noise. Its robust construction makes it an extremely reliable microphone, even under the sometimes difficult conditions of stage work.  
  • Digital mixing console with 72 mono inputs, 8 stereo inputs, 16 left-section faders, 8 Centralogic faders, 8 right-section faders and 2 master faders and iPad support.
  • A powerful receiver, equipped with an Ethernet port for connection to Sennheiser's Wireless System Manager software for monitoring and configuration. The receiver's wireless synchronization function makes it easy to synchronize the receiver with any G3 transmitter. The EM 300 G3 receiver features a large graphic display on which receiver and transmitter information can be easily read, even in dark spaces.
  • The ProTalk TK-3301 is the most powerful small handheld in the Kenwood PMR446 range, thanks to its compact dimensions, robustness and lightweight chassis. Easy to carry and simple to use, with 20-hour autonomy. Reliable communication with outstanding performance in a compact, powerful handheld.The speaker's power output is not the only factor that makes this portable easy to use, even in noisy environments. It's Kenwood's experience as an audio specialist at every stage of manufacturing (component selection, construction, optimization, evaluation and analysis) that makes this quality performance possible. The results of this specific research make them "clear" and "dynamic" portables.The TK-3301 is supplied ready to use. Supplied with rechargeable battery (KNB-45L), charger and belt clip, no other accessories are required for basic use.
  • The Sennheiser EW 500 wireless system features a professional microphone that is ideal for vocal applications and is designed for any stage or style of music. The synchronization function guarantees simplicity of operation and quick, easy installation using just one button. Here, a dynamic cardioid capsule ensures natural, present reproduction of the sung voice, even for bands delivering a high level of stage smear.
  • The AR-133 is packed with features that make it suitable for all kinds of applications. For example, a switch allowing you to obtain a 20dB or 40dB signal. This is done without signal loss, and makes mixing much easier if you're using a high-ohmic instrument, for example. You can also use the DI box as an intermediate step, as there is an output link to the mixer. This allows you to send a guitar signal first through the AR-133, then to the guitar amp via the output link.
  • The MEI 100 G2 has a 70-channel frequency band. It's a freely licensed channel, so your wireless system is ready to go without any restrictions. The 863-865 MHz frequency bands deliver dynamic sound quality with the clarity musicians demand. This transmitter is designed to work with the MEI 100 G2 breech box, which picks up the strong signal.
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