- Neumann's KM 185 MT matte black microphone is a hypercardioid pressure gradient microphone designed for live sound reinforcement and diffusion, as well as for recording applications.
- DPA's d-fine headset microphones are extremely useful for public speakers, singers, actors, webcasters and musicians. The d-fine range of directional and omnidirectional headphones can be adapted to every conceivable situation, with single and double ear loops, cardioid and omnidirectional microphone strips in different lengths, and four different colors.
- Whether for use on a podium or for fast mobile use in video productions, the transmitter quickly and easily converts any conventional wired (XLR) microphone into a wireless version. Phantom power for condenser microphones is also supplied.
- The MZH 3042 is a metal gooseneck with an integrated preamp, 40 cm in length and a matte black finish.
- The MD 421 U4 is one of the world's benchmark microphones. Its sonic qualities mean that it can be used in a wide variety of recording situations and in all areas of sound transmission technology.
- The e-606 is a dynamic instrument microphone with a supercardioid pick-up pattern, specially developed for front miking of guitar amplifiers, very close to the loudspeaker.
- The Sennheiser E604 is ideal for drums, brass and woodwind instruments. The dynamic microphone is a cardioid microphone with a low distortion signal, similar to that of a high-end microphone. The hum compensation coil offers extended high frequency and fast transient response, enabling the microphone to handle high sound levels, making it ideal for rejecting feedback in noisy environments.
- The Beta 98HC condenser microphone is the ideal solution for wind and percussion instruments. It features an integrated gooseneck with clamp for reliable, precise positioning.
- Shure's Beta 91A microphone lets you capture the real punch of a kick drum, without taking up too much space on stage. In fact, the Beta 91A excels at picking up all kinds of low-frequency instruments; its response is adapted to low frequencies. The Beta 91A's built-in preamp makes it a very practical condenser, and its ability to handle high SPLs means it can be used without worry in any environment (even with the noisiest drummers). A 2-position contour switch lets you choose between a flat response or a punchy mid-range response. You'll love what the Beta 91 does for your live sound!
- The Beta 58A is a first-rate vocal microphone for lead and backing vocals, both on stage and in the studio. Also available in the Beta Wireless version. Both were designed for singers and have clear midrange and attenuation of unwanted low frequencies. The Beta 58A has greater sensitivity and a more precise frequency response, enabling it to produce a clearer, more detailed sound.
- The PG81 is a sensitive, flat condenser microphone, ideal for acoustic instruments. The PG81 cardioid condenser instrument microphone is a professional-quality, flat-response microphone designed for use in sensitive acoustic instrument applications. With rugged durability and excellent sound, this versatile microphone comes with an on/off switch, swivel adapter, carrying pouch and choice of XLR cable, or without.Phantom power or AA battery required.
- The number-one choice of musicians and sound engineers on stages the world over, the SM58 has earned its reputation for its unmistakable silhouette, sturdiness and distinctive sound. Recommended for lead and backing vocals, this pickup is more than a world reference, it's a legend.
- A legendary pickup for amplified drums and guitars!The Shure SM57 LCE is a cardioid dynamic microphone designed for amplified instrument pickup and studio recording. Its precisely contoured frequency response, with a slight presence boost in the high frequencies, guarantees clear, intelligible sound: it's an ideal all-round pickup for instruments or sung vocals. In the studio, it is perfect for amplified guitars, woodwind instruments and drums. Its cardioid directional characteristic ensures good isolation from the main sound source and reduces background noise to a minimum. Its proven shock-absorbing suspension system minimizes footfall and handling noise. Its robust construction makes it an extremely reliable microphone, even under the sometimes difficult conditions of stage work.
- Kiva II is the new iteration of the ultra-compact Kiva source line, offering 6 dB more SPL, a 16-ohm impedance to rationalize amplification resources, and a new, reinforced cabinet. Despite its ultra-compact size, the Kiva II is based on Wavefront Sculpture Technology™ (WST), offering long range and even coverage of sound pressure across the entire depth of the audience area. The adoption of coplanar symmetry for the transducer arrangement and a K-shaped grid enable Kiva II to generate 100° symmetrical horizontal coverage, with no secondary lobes, and over the entire useful bandwidth. Weighing just 14 kg (31 lb.), its elegant lines and flush-mounted hanging system make it a natural fit for concert halls or event productions, where discretion is essential. This makes Kiva II ideal for multi-channel L-ISA™ installation projects.
- A powerful receiver, equipped with an Ethernet port for connection to Sennheiser's Wireless System Manager software for monitoring and configuration. The receiver's wireless synchronization function makes it easy to synchronize the receiver with any G3 transmitter. The EM 300 G3 receiver features a large graphic display on which receiver and transmitter information can be easily read, even in dark spaces.
- The Sennheiser EW 500 wireless system features a professional microphone that is ideal for vocal applications and is designed for any stage or style of music. The synchronization function guarantees simplicity of operation and quick, easy installation using just one button. Here, a dynamic cardioid capsule ensures natural, present reproduction of the sung voice, even for bands delivering a high level of stage smear.
- The MEI 100 G2 has a 70-channel frequency band. It's a freely licensed channel, so your wireless system is ready to go without any restrictions. The 863-865 MHz frequency bands deliver dynamic sound quality with the clarity musicians demand. This transmitter is designed to work with the MEI 100 G2 breech box, which picks up the strong signal.
- The RIO 16 & 3224D is a box with 32 mic/line inputs, 16 analog outputs and 4 A ES/EBU outputs.
- Inheriting the performance and functionality of the CL Series, the QL1 is an all-in-one solution. It offers optimum mixing, processing and assignment possibilities for small to medium-sized sound systems, conferences and speeches, fixed installations, and more.The QL1 has 32 mono inputs, 8 stereo inputs, 16 faders, 2 master faders, 16 mix busses, 8 matrixes (inputs to matrixes possible), 16 mic/line inputs + 8 XLR outputs.
